Kold9.com - Music for your soul

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Kitaro picks up the path of his sacred journey through Shikoku, an island that has 88 temples, each with its own distinct temple bells. The Sacred Journey of Ku-Kai, Volume 3, is the latest in a projected multi-disc series in which the Japanese keyboardist has been recording those bells and working them into the matrix of his music. Taking its name from Kukai, a Japanese monk and founder of the Shingon school of Buddhism in the 9th century, the series follows a path that gets more languid with each album. The synthesist has jettisoned most of the sappy strings that marred his previous journeys, opting for floating, ambient spaces centered around organic sounds. "Crystal Winds" might be the most carefully formed, albeit rhythm-free and melodically amorphous track Kitaro has composed in years. It builds from a floating array of Native American flute, zithers, Balinese gamelan, temple bells, and harmonic singing merging into filter-swept synthesizer before a brief santoor melody is teased out of it. It's not long before Kitaro tosses in electric-guitar leads on the grandiose sweep of "After the Rain," replete with his patented whooping Korg lead lines. If he'd left out the sampled choirs and strings, it might've risen above generic easy-listening new age, which is still preferable to "Winds Blow over the Hill," a thinly veiled lift from his own Silk Road that makes it sound like a score for a sanatorium. But Kitaro redeems himself with the last two tracks, a hypnotic jam with some uncharacteristically raving guitar over a sequencer ostinato called "Voice in Blue," and "Circle Dance," a ritualistic piece for bells, flute, and what sounds like metal mixing bowls. I kept looking into the kitchen to see if my wife was making something, but I liked the way it added three-dimensionality to the piece. With The Sacred Journey of Ku-Kai, Volume 3, Kitaro gives us hope that the trek might be worth continuing.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

After only two volumes, Kitaro has taken a break from his Sacred Journey of Ku-Kai series, based on his travels to the 88 temples of Shikoku. Those temple journeys must have been tiring, because Spiritual Garden is Kitaro at his laziest and haziest. It's not just the somnambulant melodies, predictable sample-and-hold gurgles, and whooping Korg synthesizer lines that make it uninspired. Kitaro himself seems bored, barely bothered to develop anything beyond rudimentary pentatonic scales, crudely arranged drone pads, and tinkling bells. In the 1970s, Kitaro brought melody to space music and carried that through to ambitious works of orchestral world music on albums like 1990's Kojiki. But to listen to Spiritual Garden is to hear someone for whom time is moving backwards, oblivious to more than the quarter century of space, new age, and ambient music released since his debut. Whether it's the Pink Floyd space guitar at the end of "Sunlight Dancing" or the native flute, acoustic guitar, and burbling brook of "Wind and Water," Kitaro is locked in a parody of new age music, his early inspiration now worn into cliché. Fans of the synthesist should find a lot of familiar territory here, and well they should. The same music is already in their Kitaro collection.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Kitaro's double-disc An Ancient Journey is collection of gentle, ethereal compositions utilizing his unique style of performance. Blending traditional Japanese instruments with lush keyboards, Kitaro crafted some very relaxing and meditative music on this album. Like any album in this genre, this is for very specific tastes only, but this is definitely one of the superior artists working in new age music. With gorgeous melodies and a penchant for keeping things low-key, Kitaro's An Ancient Journey is a proper follow-up to 2001's Ancient that should keep fans happy and possibly gain him new followers within the genre.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Thinking of You is one of the most beautiful CDs of all time, certainly in the new age community. It is by Kitaro, whose name means -- fittingly -- "a man of love." These dramatic atmospheres are not subtle. They are overflowing with bravado, romance, serenity, and peace. The most important element that Kitaro injects is love -- for his craft, his listeners, and himself. The powerful emotions surround deep listeners on this journey to ecstasy. This wonderful CD will appeal to fans of Suzanne Ciani, Constance Demby, Vangelis, and Dean Evenson.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Long recognized as one the most acclaimed recording artists in the Orient, Kitaro has always taken his music far beyond the borders of his native Japan. He has reached millions of people on every continent with his stellar recordings.

Though his public presence has always been cloaked in the tradition and mysticism of the culture into which he was born, Kitaro’s music does not yield to boundaries or national categories. His compositions weave ‘a boundless playworld of a thousand pictures and a web of gentleness and wonderment’.

This two disc set features the best of Kitaro from 1976-1986. It features music from his best selling albums during this period including Silk Road, Oasis, India, Millenia, Ki, Tunhuang and Silver Cloud.

Realize this original and universal soul who has become the master of the wordless lyric and experience the peace and harmony of this collection.

Writers have hinted at the healing properties of his ‘Sound Pictures’ and Kitaro has acknowledged that his purpose is to calm the inner person: "the wars in the world don’t come from outer space . . . people create them, people who have a war within themselves. I want to create music that eases that war within".

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Produced by Kitaro, the World of Music features the talents of Chinese Hulquin (violin) player, Yu-Xiao Guang, with rearrangements of Kitaro’s most popular works including ‘Silk Road’, ‘Carvansary’, ‘Linden’ and ‘Everlasting Road’.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.

The Light of the Spirit is one of Kitaro's best CDs. Perhaps it is because Mickey Hart co-produced, or perhaps Kitaro asked Hart to co-produce because it is so good. It doesn't really matter if either of those is the reason; this is just an awesome CD. Kitaro's specialty has always been the symphonic synth and this is no exception. He augments that synth with several guest musicians on a variety of ambient instruments. This is truly ambient music, albeit on the new age side of that style. The vocal accompaniment by Lynn Ray and Jeannie Tracy counts as instrumental as well. The sound design treats the wordless vocals as an extra sound to incorporate. David Jenkins contributes a smoking electric guitar that gives this rock & roll textures as well. This disc stands proudly with work by Constance Demby, Vangelis, Suzanne Ciani, and Dean Evenson as some of the best adult contemporary instrumental new age music.

Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. Interestingly enough, this famous Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category. That same year, Kitaro also made his first live tour of North America and sold two million albums in the U.S. alone. Kitaro's style had changed as well, becoming more theatrical and assertive while retaining a certain level of innocence and purity. His more recent recordings also show a renewed interest in the rock and pop elements that originally attracted him to music in the late '60s; in 1998, he also released the soundtrack to Cirque Ingenieux, a production bound for the Broadway stage. Thinking of You followed a year later; Ancient appeared in spring 2001. It was well received, leading to a sequel of sorts in the like-minded Ancient Journey in 2002. His contributions on the soundtrack to the controversial Chinese drama The Soong Sisters came out the same year, as did a live album and DVD.